3-IRON Send This Review to a Friend
Kim Ki-duk, the enormously creative Korean writer-director, who has already given us such films as “Spring, Summer, Fall, Winter…and Spring,” has made an extraordinarily artistic and involving drama that adds up to adventurous cinema. This is not to be missed by those who appreciate the art of filmmaking, as well as those who enjoy seeing a topical subject treated with high style and not as a polemic.
“3 Iron,” which takes its name from the golf club, fuses wife abuse, romance, determination and fantasy into a breathtakingly beautiful and sensual drama. A drifter named Tae-suk, played by the sensuous-looking Jae Hee, has a method. He fastens fliers
onto doors and when he returns a day or so later and still sees them untouched, he assumes the house is empty and breaks in. But he isn’t a thief. He just enjoys staying in the surroundings, and even tidies up and fixes whatever he may find broken.
On one such expedition he notices a woman, Sun-hwa, portrayed by the exquisite Lee Seung-yeon, who is peeking at him. She doesn’t panic or report him. She is fascinated by him, a sensitive young man standing in contrast to her brute of a husband who beats her. The romance that blossoms between them is a tender, silent one with virtually nothing spoken between them. Their expressions tell of their emotions. When Sun-hwa rides off with him on the back of his motorcycle, the story also takes flight.
This is also the point at which a viewer can begin contemplating how much is real and how much is fantasy. As the tale develops, we get a moving and entertaining portrait of the couple, yet some upsetting things happen on their romantic journey. Sun-hwa’s husband is out for vengeance and the police are searching. Tae-suk has his spiritual way of coping. Yes, with a film named after a golf club, you might expect violence. But affection symbolically triumphs, and the film is topped with the best, imaginative ending I have seen in a long time, one that expresses feminism in a most unusual manner.
I cannot tell you more without spoiling the film for you, and I fear I have written to much already, but I am aware of the extra push needed to get many people to see a Korean film. No wonder it won the best director award at the Venice Film Festival, as well as other honors elsewhere. This one is a contender for best lists. A Sony Pictures Classics release.
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