By William Wolf

BON VOYAGE  Send This Review to a Friend

One especially classy French film previously shown at the Toronto International Film Festival 2003 and now in commercial release is "Bon Voyage," directed by veteran filmmaker Jean-Paul Rappeneau ("Cyrano de Bergerac"). Rappeneau, who wrote the screenplay with Patrick Modiano, masters the complicated balancing act of treating the 1940 period in French history with comedy, romance and a touch of the thriller, but at the same time showing an awareness of what was going on in the country when Nazi Germany invaded. The characters scurry about in their various relationships and efforts to survive the crisis. This segment of history is difficult for the French and Rappeneau approaches it with sophistication and wit.

"Bon Voyage" takes us on a fast-paced, exciting trip through the turbulent, chaotic time when the Germans are sweeping through the country, government officials are scrambling to make decisions, the well-heeled are fleeing Paris for Bordeaux and prisoners are escaping as they are being transported elsewhere. Rappeneau gives us a broad, entertaining look at how an intriguing assortment of characters acted, and in addition, the film is as elegant to watch as it is dramatically involving.

Star Isabelle Adjani, who retains her beauty, has a showy role as Viviane, a self-absorbed actress who takes advantage of anyone who can help her continue in the style she prefers, and she is shown to be the sort who will get along no matter who is in power. It is a superb role for Adjani and she handles it smartly. Gérard Depardieu, who gets progressively more imposing on screen, is colorful as the exasperated government minister Beaufort, who becomes her latest protector.

The lovely, talented Virginie Ledoyen excels playing Camille, a courageous student who is trying to get an important professor out of France with his cargo of heavy water needed in the race for creating nuclear bombs. Her romantic feelings are stirred by Frédéric, who has been in love with Viviane, but is exploited by her and now is smitten by Camille. Grégori Derangère is a delight in the role, and has all the earmarks of a bright new leading man. The director uses him in the manner that Hitchcock used James Stewart, as an innocent caught up in a situation not of his making and rising to the occasion. Peter Coyote is cast as Winckler, a German agent masquerading as an American journalist. Yvan Attal has a colorful role as Raoul, an escaped prisoner who tries to help the professor elude the Nazis. There is a large supporting cast, very well chosen.

All sorts of intrigues are involved as the tale plays out briskly, with the entertainment quality mixed with observations about French behavior in this sorry period that gave rise to both collaboration and heroism. Rappeneau, obviously fascinated by movie genres, skillfully blends his elements--the comedy, the love story, the action, the politics--and that complexity distinguishes "Bon Voyage" from less ambitious films. This is among the best films to emerge from France in recent years. It entertains us royally while stylishly digging into the past in a manner that directors less bold might be afraid to attempt. A Sony Pictures Classics release.

  

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