The work has a book by Dimo Hyun Jun Kim, Osker David Aguirre and Joanne Mieses, music by Bryan Michaels and Taeho Park, with Michaels providing the lyrics. Kim has directed with Natanal Hyun Kim as choreographer. Although some of the text is drawn out, the overall production is dramatically moving, as the important concept is fleshed out by an excellent cast.

The story begins in Seoul, Korea in 1942, shifting in succession to Jakarta, Indonesia, Busan, Korea, back to Indonesia, then skipping to Indonesia and Korea in 1945. The plot follows the trail of women lured with promises of work opportunities or forcibly taken to become sex slaves who had to service 50 to 100 Japanese soldiers daily at the peril of death if they refused or try to escape.

Central is the story of Goeun Kim, a teenager superbly played in acting and song by Abigail Choi Arader, who succumbs to the ruse in hope of earning money to support her family as well as to find her captured brother. Arader has an excellent voice, demonstrated when she sings “When You Lose a Son,” “Silence,” and “Twilight” among the show’s more impressive numbers.

The intricate plot also involves a Korean, Minsik (Matheus Ting), who has been pressed into the Japanese army and sympathetically risks his life to aid the Korean women. We get a picture of the brutality of the Japanese abusers and the pathos of the plight of the women in captivity.

There is an especially creative sequence in which the rapes are depicted not by obvious violence, but in symbolically choreographed dance that makes the point esthetically.

“Comfort Women” is also valuable because it gives roles to talented Asian actors generally overlooked in the overall make-up of Broadway and off-Broadway shows. The result in artistic terms is an achievement of authenticity. Among others important in the large cast are Mathew Bautista, Lena Rae Concepcion, Shuyan Yang, Sara States, Roni Shelley Perez , Emily Su and Kenny Mai.