I have casually known Tavernier over the years, and in addition to having directed an impressive array of films, he is extremely knowledgeable about French film history as well as contemporary French cinema. The films that he has directed include “The French Minister,” “Safe Conduct,” “Lest We Forget,” “Beatrice,” “Coup de torchon,” “‘Round Midnight,” “Mississippi Blues” and “The Judge and the Assassin,” to name just a few.

Tavernier’s overall experience is vast and his acquaintances are voluminous. He examines the work of such greats as Jean Renoir, and he looks at the films of Jean-Luc Goddard, as well as films by a host of other French directors. He also has broad knowledge of the world, important literature and social problems.

In this remarkable film, Tavernier leads us through the impressive history of films that have come from France, from past masters to important newcomers.

This is not just a lecture, but the film contains a fascinating number of clips that will stir nostalgia among those who have long been followers of French cinema and should create interest among younger filmgoers who are just shaping their tastes.